SHORT STORY CONTEST WINNERS
Thank you to our judges: Head judge - Jo Popek - and judges Mr. Lynn Carroll and Annie Evett. Without them, there would have been no contest. Many thanks! Here are their decisions for Creative Writing Institute's Third Annual Beginner's Writing Contest:
1st place: Secrets Best Kept by Diane Davis
2nd place: Annabell Hated Being Asian by Michelle Yu (age 15)
3rd place: Apples, Pumpkins, or Manure by Shirley Dilley
Honorable mentions: Helen Crall, Sneha Koilada, Shirley Dilley
Read 2nd place, 3rd place and honorable mention stories here:
http://www.cwinst.com/ContestWinners.php
And now for our first place winner's story in it's entirety...
SECRETS BEST KEPT by Diane Davis (See Diane's bio at the bottom)
Rachel pulled the last box out of her mother’s closet and set it on the bed. Putting her fists in the small of her back, she stretched her aching back and rolled her shoulders. With a sigh she opened the flaps. She had delayed long enough. The cleaning service was due this afternoon.A loud clang from the kitchen indicated her older sister, Sylvia, had things moving along in there. Packing up the debris from the life of a sixty-two-year-old woman was physically exhausting, but when she was your mother it was emotionally taxing too.
Rachel pulled a pink baby afghan out of the box and laid it aside. She didn’t know whose it was, but she and Sylvia would never have kids. Maybe she’d give it to the Cradle Guild at church. Next came a jumble of stuff. A tassel from a graduation cap, a Kewpie doll, an old Timex, a pair of baby shoes.
At the bottom of the box she found a small brown notebook bound with a thick rubber band. The cover had no writing on it, front or back. Rachel started to take off the rubber band, but hesitated. It felt wrong, digging through Mama’s personal things like this. She had been a private person, loving but reserved, even with her family. Now that she was gone, Rachel felt like she was violating some unwritten rule. But she couldn’t throw the notebook away without looking at it. After all, there may be something important in there. She pulled off the rubber band and opened the cover before she could change her mind.
In the upper right-hand corner of page one was what looked like a date:14 Juni, 1968. The page was crammed with line after line of her mother’s fluid cursive, but Rachel couldn’t understand a word of it because it was in—German? Did her mother speak German?
Flipping through the rest of the notebook, Rachel’s unease grew. She didn’t know what this meant, but she sensed it was bad. Why would Mama have a diary written in a language she never spoke in everyday life? Had she been hiding something?
Rachel’s first impulse was to show it to her sister. After all, Sylvia was thirteen years her senior—maybe she would remember a time when Mama spoke German. Rachel almost called out to her, but the words died unuttered. Her sister had taken Mama’s death hard. That’s why Rachel had the task of packing their mother’s room. Sylvia had finally managed to achieve a certain amount of calm. Showing her the notebook might send her on another crying jag. Besides, maybe it was nothing.
Slipping the notebook into her purse, she decided to find a translator. If it turned out to be harmless as she hoped, she would show it to her sister when the time was right.
* * *
Weeks passed. Rachel had forgotten about the notebook after she scanned the pages and emailed them to a college friend who knew a German language major. Now it was tucked away in the bottom drawer of her nightstand under a half-finished novel and a crossword book. Life went on.
The packet came on a Saturday. Rachel sat at the kitchen table staring at it, torn between the urge to burn it and curiosity over the contents. Once she opened it and read the translation, there would be no going back. Not knowing would drive her crazy, but did she want to deal with the revelations it might contain, good or bad?
Grabbing the packet, she tore it open and pulled out the loose pages. The cover letter was a courtly salutation followed by a polite request for payment, signed by the translator. Her hands shook as she laid it aside and started to read the text.
The first dozen pages related everyday anecdotes about Sylvia and Father, along with notes about her rosebushes, and various church activities. Rachel scanned them, charmed by the light tone of the entries. Her mother seemed to be happy in those days.
At page thirteen, the tone became dark and frightened and angry. Rachel’s reading pace slowed as she tried to comprehend the horrible things her mother had written. She reread portions, too stunned to take it all in. By the end, tears streamed down her face and sobs clawed at her throat. It was much worse than she had ever imagined.
Hilda didn’t know when the incest began, but she gradually became aware of subtle clues. Sylvia shrank from touching her father and avoided direct eye contact with everyone. She had always been shy, but every day she became more withdrawn. Her appetite decreased and she rarely smiled. Finally Hilda was so worried she took her to the doctor. That’s when she learned the depth of her husband’s depravity.
Twelve-year-old Sylvia was pregnant, and Hilda suspected her husband was the father. The family would never survive the shame. To be so young and unmarried and pregnant was bad enough, but to bear a child of incest was horrible. There was only one thing to do.
Hilda put the word out that she was pregnant then took Sylvia with her to stay with a friend in Phoenix until the baby was born. She told her friends that her doctor had recommended the drier climate so her asthma wouldn’t flare up and endanger the baby’s life. After the child was born, Sylvia and Hilda brought her home with nobody the wiser. Rachel grew up blissfully unaware that her loving older sister was her mother, and her mother was actually her grandmother.
Robert never touched Sylvia again, as far as Hilda could tell. Perhaps her threat to go to the police scared him into compliance. But it seemed his depravity only went dormant for a dozen years.
To her horror, she noticed that he began to pay special attention to Rachel. He touched her frequently and his hands lingered on her arm or back. He insisted she kiss him on the lips and he hugged her tight, often pulling her onto his lap. Hilda knew she had to do something before it was too late.
She couldn’t let history repeat itself.
Over the next few days she began to put digitalis in his food, gradually increasing the dose. Never one to go to the doctor, he stayed in bed, forcing fluid even though he kept vomiting, trying to sleep in spite of his splitting headache. Two days later he was dead of a heart attack.
Rachel laid the last page down. She stared at the wall as she struggled to find her balance in this new topsy-turvy paradigm. Her grandmother had killed her father to save her from incest, and her mother was alive. Why she wrote it down, and more importantly, why she wrote the whole tale in German were mysteries that had died with Hilda.
Her mother was alive! Smiling for the first time in hours, Rachel jumped up and rushed to the phone, but she put the receiver back after dialing a few numbers. She covered her mouth as a fresh round of tears rolled down her cheeks.
Sylvia had lived with the pain of this secret for years. Would it be more painful for her if she knew Rachel had learned the truth? Or would it be better to go on as sisters with a close, loving relationship?
Sinking back into her chair, she closed her eyes and took a deep, cleansing breath. Letting go of the tension, sadness and fear, she opened herself to accept everything the diary had revealed. She was still the same person she had been before reading Hilda’s words. There would be time to decide what to do with the knowledge later.
The phone interrupted her meditation. She checked the caller ID and her smile came through in her voice when she answered.
“Hello, Sylvia. I was just thinking about you.”
About the Author
Diane Davis, an Arizona native, is a happily married mother of two with a life-long passion for words. She's had ten short stories and an essay published in online ezines like Long Story Short, Menopause Press and FlashShots, and won first place in Phyllis Scott Publishing's short story contest. Diane's goal is to become a novelist.
____________________________________________________________
CHRISTMAS SALE on WRITING COURSES at http://www.creativewritinginstitute.com until Dec. 31, 2011. All courses now only $177. Eight weeks in length with your own private tutor. It just doesn't get any better than that! Payment plan available. See the site for more details.
Showing posts with label Short Story Contest. Show all posts
Showing posts with label Short Story Contest. Show all posts
Thursday, December 15, 2011
Thursday, October 13, 2011
Win a Short Story Contest with These Tips!
SHORT STORY CONTEST for BEGINNERS listed below... by Bob Bruggemann
If you want to win a short story contest, the first thing you must do is study the rules. Many submissions are disqualified because they don't meet all the requirements. If formatting guidelines have not been given, single space the text and indent the paragraph. If the rules state a maximum of 1000 words, a 1200-word story, however brilliant, will hit the trash pile. If the short story contest calls for G-rated material (which means no swearing, vulgarities, or erotica) and your entry contains just one swear word, it will be discarded.
Welcome to the judging world, where judges go strictly by the rules. Assuming you follow the guidelines, the judges will then look at these four elements:
• Originality
• Creativity
• Style
• Technique
Let’s look at each one and see what they mean.
Short story contest winners come from second, third, and tenth thoughts. Some contests give you a theme, such as, “Wedding Day.” What’s the first story idea that comes to mind? Whatever it is, forget it. You can bet everyone else will have thought of it, too. A large percentage of submissions will be so similar that the competition will be fierce.
Make your short story unique and the judges will love you. Come at it from a different point of view. Seek a new angle.
Don’t wrack your brain for an idea. Relax. Get your conscious, critical mind out of the way and allow ideas to bubble up from your subconscious. In other words, daydream.
Ask yourself who, what, when, where, why, how, and ‘what if?’ Let your train of thought go where it will. Before long, you’ll have an idea for a story that is different.
For example, what if a shy looking woman attended a wedding and sat in the back, all alone? At the reception, she avoided conversation. She partook of the food and drinks and then left. Back in her lonely, one room apartment she scanned the Forthcoming Marriages column in the local paper to see where her next free food and wine would come from. See? The ‘what if’ question can lead you down original alleys.
In short story contests, you’ll never wrong with the KISS method: Keep It Simple, Sweetie! Don’t try to impress the judges with $3 words. Like any other reader, they want a story that is readable and absorbing.
Every sentence must move the story forward. The reader doesn’t want flowery descriptions of a rose garden in the moonlight. He/she wants to know what the girl is doing there at two in the morning and what will happen next. Stick to the point.
A short story contest calls for three distinct parts: the beginning, middle, and end. It's not as easy as it sounds.
The beginning introduces the main character and what the short story is about. The middle develops the theme and keeps the reader hooked. The ending must be believable, resolve the problems, and leave the reader satisfied.
Above all, don’t overlook simple formatting rules.
• Make a new paragraph for every new speaker
• Single space your short story and indent paragraphs
• Run the spellchecker!
• Watch your punctuation
And Finally…
If you don’t write an original entry for a short story contest, at least rewrite it to fit. For example, Creative Writing Institute’s contest is G-rated, which means no swearing or vulgar language. We’ve already received entries that contain good stories but the author probably didn’t cull out swear words from a story they had already written so it won’t be eligible. What a shame. Make sure your entry fits the rules.
This is short story contest is especially for beginners and the first thing the writer must learn is that judges go strictly by the book. See the rules here and abide by them: http://www.creativewritinginstitute.com. Above all, have fun! First prize wins $$ OR a FREE Writing Course!
If you want to win a short story contest, the first thing you must do is study the rules. Many submissions are disqualified because they don't meet all the requirements. If formatting guidelines have not been given, single space the text and indent the paragraph. If the rules state a maximum of 1000 words, a 1200-word story, however brilliant, will hit the trash pile. If the short story contest calls for G-rated material (which means no swearing, vulgarities, or erotica) and your entry contains just one swear word, it will be discarded.
Welcome to the judging world, where judges go strictly by the rules. Assuming you follow the guidelines, the judges will then look at these four elements:
• Originality
• Creativity
• Style
• Technique
Let’s look at each one and see what they mean.
- Originality
Short story contest winners come from second, third, and tenth thoughts. Some contests give you a theme, such as, “Wedding Day.” What’s the first story idea that comes to mind? Whatever it is, forget it. You can bet everyone else will have thought of it, too. A large percentage of submissions will be so similar that the competition will be fierce.
Make your short story unique and the judges will love you. Come at it from a different point of view. Seek a new angle.
- Creativity
Don’t wrack your brain for an idea. Relax. Get your conscious, critical mind out of the way and allow ideas to bubble up from your subconscious. In other words, daydream.
Ask yourself who, what, when, where, why, how, and ‘what if?’ Let your train of thought go where it will. Before long, you’ll have an idea for a story that is different.
For example, what if a shy looking woman attended a wedding and sat in the back, all alone? At the reception, she avoided conversation. She partook of the food and drinks and then left. Back in her lonely, one room apartment she scanned the Forthcoming Marriages column in the local paper to see where her next free food and wine would come from. See? The ‘what if’ question can lead you down original alleys.
- Style
In short story contests, you’ll never wrong with the KISS method: Keep It Simple, Sweetie! Don’t try to impress the judges with $3 words. Like any other reader, they want a story that is readable and absorbing.
Every sentence must move the story forward. The reader doesn’t want flowery descriptions of a rose garden in the moonlight. He/she wants to know what the girl is doing there at two in the morning and what will happen next. Stick to the point.
- Technique
A short story contest calls for three distinct parts: the beginning, middle, and end. It's not as easy as it sounds.
The beginning introduces the main character and what the short story is about. The middle develops the theme and keeps the reader hooked. The ending must be believable, resolve the problems, and leave the reader satisfied.
Above all, don’t overlook simple formatting rules.
• Make a new paragraph for every new speaker
• Single space your short story and indent paragraphs
• Run the spellchecker!
• Watch your punctuation
And Finally…
If you don’t write an original entry for a short story contest, at least rewrite it to fit. For example, Creative Writing Institute’s contest is G-rated, which means no swearing or vulgar language. We’ve already received entries that contain good stories but the author probably didn’t cull out swear words from a story they had already written so it won’t be eligible. What a shame. Make sure your entry fits the rules.
This is short story contest is especially for beginners and the first thing the writer must learn is that judges go strictly by the book. See the rules here and abide by them: http://www.creativewritinginstitute.com. Above all, have fun! First prize wins $$ OR a FREE Writing Course!
Friday, October 7, 2011
Short Story Titles for Competitions and Contests
First Impressions for Short Story Competition
by Hugh Wilson
As a reader, what is the first thing you look at in a short story? The title. Does it appeal to you? Does it arouse your curiosity enough to want to read the opening lines? If the title doesn’t grab you, you’ll look for something more interesting.
Short story contest judges are readers, too. The title is the first indication of your skill and creativity so choose one that will attract the judges – one that will make them want to read it again. The title is important in a short story competition. Here are some pointers:
• Make it Short and Fitting
Make it easy to remember, not more than four or five words. It should give the reader a clue about the tone and mood. For instance, it’s obvious that Dial M for Murder is going to be something creepy involving murder and a telephone, and Lady Chatterley’s Lover revolves around another man.
• Not too revealing
But a short story title shouldn’t give away too much, especially the ending. For example, Crime Doesn’t Pay tells the reader that the bad guy gets his comeuppance in the end, so why bother to read the story?
• Re-cycle existing phrases
Well known literary works can provide memorable titles. Steinbeck’s Grapes of Wrath, and Hemingway’s The Sun Also Rises stem from the Bible.
British author H.E. Bates’, The Darling Buds of May, (a line from a Shakespeare sonnet), evokes inviting images of life in the countryside.
Another method is to twist well-known phrases or sayings such as Live and Let Die, and You Only Live Twice.
• Just names
Some short story titles use names of people or places, so let’s make up a couple. Deborah’s Secret would surely make you rub your hands in anticipation, while Florida Frolics might suggest a lighthearted tale of fun and games on vacation in the Everglades.
• Let the Short Story Name Itself
A short story can name itself by extracting dialogue, a memorable line, or a couple of words that capture the mood. Harper Lee’s To Kill a Mockingbird, and The Eagle Has Landed by Jack Higgins are such titles.
• Research Your Title for Short Story Competition
There is no copyright on titles, but it’s worth a quick search to make sure yours is not identical to a well-known story or one that has recently won a short story contest. If it is, change it slightly.
These are just a few ideas to get your mind thinking of different ways to dream up a short story title.
Study the titles that have won recent contests and, of course, read the stories to see what made them stand out from the rest. You might be the next short story contest winner.
Please click on "Share This" and "Like" below to help us spread the word.
More great writing tips and short story contest rules at http://www.creativewritinginstitute.com. Ends October 20, 2011. Hurry! First place wins a $$$ price (or) FREE writing course.
by Hugh Wilson
As a reader, what is the first thing you look at in a short story? The title. Does it appeal to you? Does it arouse your curiosity enough to want to read the opening lines? If the title doesn’t grab you, you’ll look for something more interesting.
Short story contest judges are readers, too. The title is the first indication of your skill and creativity so choose one that will attract the judges – one that will make them want to read it again. The title is important in a short story competition. Here are some pointers:
• Make it Short and Fitting
Make it easy to remember, not more than four or five words. It should give the reader a clue about the tone and mood. For instance, it’s obvious that Dial M for Murder is going to be something creepy involving murder and a telephone, and Lady Chatterley’s Lover revolves around another man.
• Not too revealing
But a short story title shouldn’t give away too much, especially the ending. For example, Crime Doesn’t Pay tells the reader that the bad guy gets his comeuppance in the end, so why bother to read the story?
• Re-cycle existing phrases
Well known literary works can provide memorable titles. Steinbeck’s Grapes of Wrath, and Hemingway’s The Sun Also Rises stem from the Bible.
British author H.E. Bates’, The Darling Buds of May, (a line from a Shakespeare sonnet), evokes inviting images of life in the countryside.
Another method is to twist well-known phrases or sayings such as Live and Let Die, and You Only Live Twice.
• Just names
Some short story titles use names of people or places, so let’s make up a couple. Deborah’s Secret would surely make you rub your hands in anticipation, while Florida Frolics might suggest a lighthearted tale of fun and games on vacation in the Everglades.
• Let the Short Story Name Itself
A short story can name itself by extracting dialogue, a memorable line, or a couple of words that capture the mood. Harper Lee’s To Kill a Mockingbird, and The Eagle Has Landed by Jack Higgins are such titles.
• Research Your Title for Short Story Competition
There is no copyright on titles, but it’s worth a quick search to make sure yours is not identical to a well-known story or one that has recently won a short story contest. If it is, change it slightly.
These are just a few ideas to get your mind thinking of different ways to dream up a short story title.
Study the titles that have won recent contests and, of course, read the stories to see what made them stand out from the rest. You might be the next short story contest winner.
Please click on "Share This" and "Like" below to help us spread the word.
More great writing tips and short story contest rules at http://www.creativewritinginstitute.com. Ends October 20, 2011. Hurry! First place wins a $$$ price (or) FREE writing course.
Saturday, October 1, 2011
Writing for Short Story Contests - Beginner's Contest Listed Below
Entering Short Story Contests by Bob Bruggemann
Why enter a short story contest? One answer is to win prizes and services, but the primary reason is for exposure and recognition. It’s the next best thing to getting the entry published.
Some short story contests make submissions public. On other sites, only the winning stories are displayed. Either way, your work will appear before an audience. In rare instances, you may even receive feedback on it.
Short story contests can be scary, as it puts your work up for close inspection. It’s hard to be objective with your own writing. By the time you read and reread the same piece, your mind slips into a surreal fantasy and literally supplies missing words. Get a second or third set of eyes to proof your material and give you a report.
• Receive prizes
• Receive recognition for your labor
• Get Exposure
• Get Reviews
Don’t fear rejection. Keep on submitting. Don’t give up! Check out this SHORT STORY CONTEST for BEGINNERS ONLY at http://www.creativewritinginstitute.com. (Ends October 20, 2011.)
Short Story Contest Parameters:
• Guidelines (always stay within them)
• Some short story contests use prompts
• Content is first and foremost
Note: Always read the submission guidelines carefully and abide by them or your entry will be discarded as ineligible.
Have Fun
Short story contests immediately connect you with authors and avid readers. They have a unique talent for picking a story apart. A good writing forum will provide you with clear and concise feedback about your work and suggestions to improve it.
• Get your work read, even if it doesn’t win.
• Read your reviews and see where you can improve
• Grow a hard shell. Don’t get hurt feelings. Rewrite the piece and submit it again.
The absolute best part of short story contests is to let your imagination run free. In real life, you have so little control of what is around you, but when you write, you control the story, its inhabitants, and the surroundings. It is your own little world and you’re the king.
Use short story contest opportunities to sharpen your skills and don’t forget to check out this short story contest for beginners. It’s a small contest and your chance of winning is good. First place will receive a cash prize or a free writing course. http://www.creativewritinginstitute.com
Remember – FOLLOW THE GUIDELINES or your entry will be discarded.
Why enter a short story contest? One answer is to win prizes and services, but the primary reason is for exposure and recognition. It’s the next best thing to getting the entry published.
Some short story contests make submissions public. On other sites, only the winning stories are displayed. Either way, your work will appear before an audience. In rare instances, you may even receive feedback on it.
Short story contests can be scary, as it puts your work up for close inspection. It’s hard to be objective with your own writing. By the time you read and reread the same piece, your mind slips into a surreal fantasy and literally supplies missing words. Get a second or third set of eyes to proof your material and give you a report.
• Receive prizes
• Receive recognition for your labor
• Get Exposure
• Get Reviews
Don’t fear rejection. Keep on submitting. Don’t give up! Check out this SHORT STORY CONTEST for BEGINNERS ONLY at http://www.creativewritinginstitute.com. (Ends October 20, 2011.)
Short Story Contest Parameters:
• Guidelines (always stay within them)
• Some short story contests use prompts
• Content is first and foremost
Note: Always read the submission guidelines carefully and abide by them or your entry will be discarded as ineligible.
Have Fun
Short story contests immediately connect you with authors and avid readers. They have a unique talent for picking a story apart. A good writing forum will provide you with clear and concise feedback about your work and suggestions to improve it.
• Get your work read, even if it doesn’t win.
• Read your reviews and see where you can improve
• Grow a hard shell. Don’t get hurt feelings. Rewrite the piece and submit it again.
The absolute best part of short story contests is to let your imagination run free. In real life, you have so little control of what is around you, but when you write, you control the story, its inhabitants, and the surroundings. It is your own little world and you’re the king.
Use short story contest opportunities to sharpen your skills and don’t forget to check out this short story contest for beginners. It’s a small contest and your chance of winning is good. First place will receive a cash prize or a free writing course. http://www.creativewritinginstitute.com
Remember – FOLLOW THE GUIDELINES or your entry will be discarded.
Saturday, September 17, 2011
SHORT STORY CONTEST for BEGINNERS
Third Annual Beginner's Short Story Contest
A contest that is truly for beginner's only! If you have been fortunate enough to sell a book or a short story, congratulations - but you don't qualify for this contest. If you have self-published, you do qualify. This is an honor system.
RULES:
1. Any genre (Horror, Fantasy, Sci-Fi, Drama, Children, etc.)
2. 1,000 - 1,750 words
3. There is no entry fee, but since Creative Writing Institute is a non-profit charity that sponsors cancer patients in writing courses, we're asking entrants to donate $1 - $5 donations through credit card or PayPal at http://creativewritinginstitute.com/donate.php. If you can't donate, you're still welcome to enter.
4. Short Story rights remain the property of the author
5. Entries must be G-rated. That means no swearing or vulgarities.
6. Contest ends midnight, USA Eastern Standard Time, October 20, 2011
7. Mail to head judge, jopopek@gmail.com
8. Put WRITING CONTEST in the subject line
9. Entries will be judged on originality, creativity, style, and technique
10. NOT following instructions may lead to disqualification
11. Up to two entries per person
12. Winners will be notified by email on or before December 15, 2011.
Prizes: 1st place winner will receive cash (up to $100, depending on donations received) OR a free, tutored writing course at Creative Writing Institute, valued at $200. In addition, the winner will receive two books, Word Magic by Cindy Rogers and an autographed copy of Word Trippers by Barbara McNichol. Our thanks go to both Cindy and Barbara for making these prizes available. Winning entry will be published on http://www.creativewritinginstitute.com and our blogs, along with the winner's bio and picture, if provided.
Second place: Two free tutoring sessions with CEO and Founder, Deborah Owen, and a copy of Word Magic by Cindy Rogers. Winner's name will be published on http://www.creativewritinginstitute.com and its blogs and we will provide a link to your story.
Third place: One free tutoring session with CEO and Founder, Deborah Owen, and an autographed copy of Word Trippers by Barbara McNichol. Winner's name will be published on http://www.creativewritinginstitute.com and its blogs and we will provide a link to your story.
Honorable mentions: Names will be published on http://www.creativewritinginstitute.com and its blogs and we will provide a link to your story.
This is a small contest and your chances of winning are good. Enter now!
If you haven't signed up for The Writer's Choice Newsletter, which is chock full of writing tips, you can do that here: http://www.creativewritinginstitute.com. Fear not - we won't spam you.
A contest that is truly for beginner's only! If you have been fortunate enough to sell a book or a short story, congratulations - but you don't qualify for this contest. If you have self-published, you do qualify. This is an honor system.
RULES:
1. Any genre (Horror, Fantasy, Sci-Fi, Drama, Children, etc.)
2. 1,000 - 1,750 words
3. There is no entry fee, but since Creative Writing Institute is a non-profit charity that sponsors cancer patients in writing courses, we're asking entrants to donate $1 - $5 donations through credit card or PayPal at http://creativewritinginstitute.com/donate.php. If you can't donate, you're still welcome to enter.
4. Short Story rights remain the property of the author
5. Entries must be G-rated. That means no swearing or vulgarities.
6. Contest ends midnight, USA Eastern Standard Time, October 20, 2011
7. Mail to head judge, jopopek@gmail.com
8. Put WRITING CONTEST in the subject line
9. Entries will be judged on originality, creativity, style, and technique
10. NOT following instructions may lead to disqualification
11. Up to two entries per person
12. Winners will be notified by email on or before December 15, 2011.
Prizes: 1st place winner will receive cash (up to $100, depending on donations received) OR a free, tutored writing course at Creative Writing Institute, valued at $200. In addition, the winner will receive two books, Word Magic by Cindy Rogers and an autographed copy of Word Trippers by Barbara McNichol. Our thanks go to both Cindy and Barbara for making these prizes available. Winning entry will be published on http://www.creativewritinginstitute.com and our blogs, along with the winner's bio and picture, if provided.
Second place: Two free tutoring sessions with CEO and Founder, Deborah Owen, and a copy of Word Magic by Cindy Rogers. Winner's name will be published on http://www.creativewritinginstitute.com and its blogs and we will provide a link to your story.
Third place: One free tutoring session with CEO and Founder, Deborah Owen, and an autographed copy of Word Trippers by Barbara McNichol. Winner's name will be published on http://www.creativewritinginstitute.com and its blogs and we will provide a link to your story.
Honorable mentions: Names will be published on http://www.creativewritinginstitute.com and its blogs and we will provide a link to your story.
This is a small contest and your chances of winning are good. Enter now!
If you haven't signed up for The Writer's Choice Newsletter, which is chock full of writing tips, you can do that here: http://www.creativewritinginstitute.com. Fear not - we won't spam you.
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